What’s the modern take on this definition? - I know that it comes from the very early days of blues scholarship, but you still see it quite often. Sometimes it seems that all the women singers from the twenties are lumped in together, and their merits are classified as either ‘great singers’ at one end of the scale, or ‘barrelhouse women’ at the other end... whereas the men get their styles defined by region, instrumentation, audience, influences etc. Not that I would like to see everything boxed up, but I think the way female blues are classified can make it appear as though someone like St Louis Bessie is a poor relation to her illustrious namesake, rather than a different kettle of fish entirely... or would she actually have aspired to the likes of Bessie Smith?
